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JUAN TRIGOS
COMPOSER & CONDUCTOR
Juan Trigos is a very active conductor and composer, creator of the concept Abstract Folklore. In his musical production are clearly distinguished two fundamental aspects: vocal music (opera and sacred) and instrumental music with a notable predilection for the concertante forms. His works has been performed worldwide. Among the most significant latest commissions his Symphony N.3 “Ofrenda a los muertos” for the Houston Symphony Orchestra (2013).
JUAN TRIGOS SYNISTER
PLAYWRIGHT (LIBRETTIST)
Creator of the aesthetic literary style Hemofiction. Literature of search which reflects on the bleeding of the consciousness in multiple mirrors, where it contemplates with horror the thousand faces of personal infantilism, process which endures desolation and anguish, indispensable symptoms on the road to individuation, path of ascension towards human. The works which have given him fame include La Llorona, La Leyenda de Don Juan Manuel, La Diabólica Santa de la Tijeras, Callejón de las ratas, Mamá es loca o está poseída, La Culpa.
LUIS MARTÍN SOLÍS
STAGE DIRECTOR
Internationally renowned, he has directed plays of Shakespeare, Maeterlinck, Golding, Suzanne van Louhizen, Luis Buñuel, Ibarguengoitia, Octavio Paz, among the others. He directed operas by Donizetti, Rossini and Vivaldi. He also directed contemporary operas as well as La muerte pies ligeros, Paso del norte and El conejo y el coyote by Victor Rasgado, the last one performed in the Smithsonian National Museum of the American Indian in Washingtong D.C.
LUCIANO TRIGOS
PAINTER (SCENE & COSTUMES)
Following the tradition of the Mexican Muralism, Luciano Trigos recently realized “El Gigante”, a 753 sqft mural commissioned by the “Don Quijote Iconographic Museum” of Guanajuato (Mexico). He’s paintings are product of lateral, germane vision. Plastic cells are born, they grow and reproduce inside original, abstract form and at the same time, follow a kind of autonomous development.
AMY SHEFFER
PRIMANCIANITA (MEZZOSOPRANO)
Since 2006 has been guest soloist in several Festival, Summer Programs and Theaters in Europe and United States, as well as, Bel Canto Institute (Florence, Italy), Opera in the Ozarks, Inspiration Point (AR), University of Wisconsin-Madison Opera, Le Chiavi Institute, Texas Music Festival (Houston, TX), University of Houston Moores Opera Center (Houston,TX). Among the others concert programs and opera productions, Rossini's "La Donna Del Lago" and "Guillaume Tell", Bach's "Cantata 106", Mozart's "The Magic Flute", Puccini's "Gianni Schicchi" and "Suor Angelica", Offenbach''s "Les Contes d'Hoffmann", Floyd 's "Cold Sassy Tree", Menotti's "The Consul".
CÉSAR TORRUELLA
JUANSONRISA (BARITONE)
Originally from Puerto Rico, he sang as a guest soloist in Austria, Puerto Rico and the United States giving concerts and opera performances. His repertoire includes Schubert's Mass N.2 in G Major, Beethoven's Symphony N.9 and "Choral Fantasy" Op.80, Bach's "Magnificat", Puccini's "Tosca", Rossini's "Il Barbiere di Siviglia", Donizetti's "L'elisir d'amore", Offenbach's "Les Contes d’Hoffmann", Verdi's "Falstaff", Mozart's "Le Nozze di Figaro" and "Cosí fan tutte", Floyd's "Cold Sassy Tree", Ravel's "L'heure Espagnole", Ullmann's "Der Kaiser von Atlantis", F. Morreno Torroba's "Luisa Fernanda", Britten's "Albert Herring", Rota's "Il cappello di Paglia di Firenze", Poulenc's "Les Dialogues des Carmelites" and the world premier of Rafael Hernández's" Cofresí".
DANIELA D'INGIULLO
SIAMESE I (SOPRANO)
She has been guest soloist in various theaters and festivals in Europe, United States, Mexico and Costa Rica collaborating, among the most important commitments, with Icarus Ensemble, Eastman Broad Band Ensemble, the Symphony Orchestras of Puebla, Aguascalientes and Guanajuato, Heredia, respectively. She has specialized in XXth-XIth Centuries Music, especially in Juan Trigos' music by whom she sang the opera "DeCachetitoRaspado", Cantata N.2 and N.3 “Phos Hilaron” (N.3 also recorded for Quindecim). Last April 2015, in Mexico, with the Boca del Río Philharmonic Orchestra, she premiered his "Nezahualcoyotl Icuicahuan" for soprano and orchestra with texts in Nahuatl language by the Aztec poet Nezahualcoyotl.
ESTEBAN CORDERO
SIAMESE II (TENOR)
Puerto Rican tenor Esteban Cordero is in the early stages of a promising career. Mr. Cordero appeared as a soloist with the Israel Chamber Orchestra and the Coro Nacional de Puerto Rico, and is a frequent guest soloist of the Orquesta Sinfónica de Puerto Rico. He has been invited twice to participate in the prestigious International Summer Opera Institute in Tel Aviv and the Prelude to Performance summer program. His roles include Don Ramiro (La Cenerentola), Nemorino (Lʼelisir dʼamore), Rinuccio (Gianni Schicchi), Rodolfo (La Boheme), Tamino (Die Zauberflöte), Javier (Luisa Fernanda), Spalanzani/ Nathanael (Contes d'Hoffman) Count Vaudemont (Iolanta) and the tenor solo in Carmina Burana.
DANIELA ARROIO
MUERTA I (ACTRESS/DANCER and CO-CHOREOGRAPHER)
Graduated from the College of Dramatic Literature and Theater and the Desmond Jones School of Mime and Physical Theatre of London (UK). She has a background in contemporary dance, singing, Roy Hart, Mask, Puppet and Improvisation. Recipient of the scholarship “Scenic Creators 2009-2010” from the Mexican Fondo Internacional de la Cultura y las Artes (FONCA). She has been part of the Company Carro de comedias of the prestigious Universidad Nacional Autónoma de Mexico (UNAM). She has worked with directors like Carlos Corona, Luis Martín Solís, Antonio Castro, Haydeé Boetto, Fernando Bonilla, Juan Carlos Vives, Jesusa Rodriguez, Rosenda Monteros, among others.
ANNA MARISCAL
MUERTA I (ACTRESS/DANCER and CO-CHOREOGRAPHER)
Graduated from the acting school CasAzul, Performing Arts Argos. As an actress she participated in the production Un chingo de lana by Antú Romero Nunez, in collaboration with the Universidad Nacional Autónoma de Mexico (UNAM). and the Maxim Gorki Theater in Germany, in the Miguel Covarrubias’ hall. Principal actress in Los últimos días de Clark K. directed by Xavier Villanova, in the Helénico Theater. Recently worked with the stage director Luis Martín Solís in “Paz en su laberinto” and in the monologue Me llamo Rachel Corrie, directed by Edgar Álvarez Estrada. She worked under de direction of Álvaro Hernández and Hari Sama in a publicity series. Now, she is preparing to film a web series.
ZEITGEIST CHORUS
DEANNA JOSEPH DIRECTOR
Director of Choral Activities at Georgia State University. Dr. Joseph’s research in the area of 19th century choral-orchestral performance-practice has led to invited presentations on the topic at several division conferences of the American Choral Director’s Association and at the national convention for the National Collegiate Choral Organization. She holds conducting degrees from the Eastman School of Music, where she was awarded the Walter Hagen Conducting Prize. For this production she will conduct her Zeitgeist Chorus of eight selected singer: Megan Brunning and Wanda Yang Temko (Sopranos), Avery Leigh Draut and Samantha Puckett (Altos), Richard Clement and James Moonsuk Kang (Tenors), Stephen W McCluskey and Evan Tyor(Basses).
BENT FREQUENCY
ENSEMBLE & CO-PRODUCER
Hailed as “one of the brightest new music ensembles on the scene today” by Gramophone magazine, Bent Frequency (BF) is a performance ensemble possessing a vision to redefine the traditional music experience - ushering it from the strict formality of the concert hall into the fresh air of contemporary artistic expression and experimentation. Founded in 2003, the group brings the avant-garde music tradition to life through adventurous programming, the promotion of New Music, and a creative synthesis of music and media. As an ensemble-in-residence at Georgia State University, BF has become the most active and visible contemporary music ensemble in the Southeast.
Paint by Luciano Trigos
